Creative Writing: poetry; visual poetry; mixed form (prose & poetry);
Poet Susan Tichy (MA, Univ. of Colorado, 1979) is the author of four volumes of poetry and, most recently, Trafficke, a mixed-genre book of poetry and historical narrative. Her poetry books include A Smell of Burning Starts the Day (Wesleyan); The Hands in Exile (Random House) which was selected for the National Poetry Series; Bone Pagoda (Ahsahta); and Gallowglass (Ahsahta), which received a bronze in Foreward Review's Book of the Year Awards, placing it as one of the top six small-press poetry books of 2010. Her poems, collaborations, and mixed-genre works have appeared in 42opus, Agni, Beloit Poetry Journal, Cerise Press, Chapman, Colorado Review, CutBank, Denver Quarterly, Fascicle, Feminist Studies, Five Fingers Review, Green Mountains Review, Hotel Amerika, Indiana Review, The Literary Review, Spacecraft Project, and other journals. She has received numerous awards, including a fellowship from the NEA and the Chad Walsh Poetry Prize.
With Helen Frederick (Professor, School of Art), Susan Tichy has for six years co-curated the annual Call & Response exhibit on campus, featuring collaborations between creative writers and visual artists. In 2013, Susan and Helen collaborated on three artist books for Al-Mutanabbi Street Starts Here, a book and broadside exhibition shown in Boston, New York, London, Cairo, and numerous other cities. Both serve on the planning committee for Al-Mutanabbi Street Starts Here exhibits and cultural programs planned for GMU and the Washington area, January-March 2016.
My new book, Trafficke, is a mosaic of verse, lyric prose, historical narrative, and quotation. Obsessively interrogating three hundred years of family history in Scotland and Maryland, Trafficke tracks and remixes questions of race and identity, fact and legend in a text where violence, beauty, and the powers of a written word clash and conspire around questions of loyalty and the bitter legacies of slavery. Though Trafficke is published, I continue to research my family's participation in the oppression of Africans and African Americans over the entire 200 years of slavery in our country.
Also in progress is another volume of poems, The Avalanche Path in Summer, in which I take my life-long experience of walking in mountains and stir it into a mix of ideas about mountains from the European and Chinese traditions. Poems from this collection have appeared or are forthcoming in Beloit Poetry Journal, Cerise Press, Colorado Review, Copper Nickel, Free Verse, iO, Spacecraft Projects, and others.
Tichy, Susan. Trafficke. Boise: Ahsahta Press, 2015.
Tichy, Susan. Gallowglass. Boise: Ahsahta Press, 2010.
Tichy, Susan. Bone Pagoda. Boise: Ahsahta Press, 2007.
Tichy, Susan. A Smell of Burning Starts the Day. Middletown, CT: Wesleyan University Press, 1988.
Tichy, Susan. The Hands in Exile. New York: Random House, 1983.
2015: Faculty Study Leave, Fall Semester
2014: Residency, Sweeney's Bothy, Isle of Eigg, Scotland.
2014, 2013, 2011: GMU Creative Awards, in support of research for Trafficke.
2011: Foreword Reviews Small Press Book of the Year, Bronze Award, for Gallowglass.
2008, 2002: Residency, Hawthornden International Retreat for Writers, Scotland.
2007: Chad Walsh Prize, Beloit Poetry Journal, for "Stork."
2007: Runes Poetry Prize, for "Ice or Salt."
2006: Indiana Review Poetry Prize, for "Gallowglass."
ENGH 391: Form of Poetry
ENGH 396: Introduction to Creative Writing
ENGH 397: Poetry Writing
ENGH 494: Advanced Poetry Workshop
ENGH 497: Special Topics in Creative Writing: Bookish Beasts (visual poetry, erasure, book arts, procedural poetry)
ENGH 564: Form of Poetry
ENGH 608: Craft Seminar (poetry): Marianne Moore & Lorine Niedecker
ENGH 608: Craft Seminar (poetry): Poetry from Research
ENGH 608/619: Book Beasts (visual poetry, erasure, book arts, procedural poetry)
ENGH 617: Poetry Workshop
ENGH 619: Special Topics: Poetic Sequence & Collage
ENGH 660: Special Topics American Literature: topics in modern & contemporary poetry
ENGH 685: Special Topics, Schools & Movements: War Poetry
ENGH 750: Advanced Poetry Workshop (a.k.a. Thesis Workshop)
Upcoming: March, 2016: Split This Rock: Poetry of Provocation & Witness: a panel addressing writing from privilege, with GMU alums Marcos L. Martinez and Sean Pears, and current MFA student Ben Brezner.
Upcoming: February 2016: A reading at The Writers' Center, Bethesda, MD, with Karen Branan, author of The Family Tree: A Lynching in Georgia, A Legacy of Secrets, and My Search for the Truth.
Upcoming: November 2015: A reading from Trafficke as the University of Illinois, Springfieldt
October 2015: A reading at University of Colorado, Colorado Springs, and a presentation on Trafficke at the American Folklore Society's annual meeting, in Long Beach, California.
March-June 2015: House readings/book parties for Trafficke in D.C., Illinois, and Colorado.
April 2015: Three readings at the AWP conference in Minneapolis--with my GMU poetry colleagues and alums, on Wednesday @5:00; with poets from Free Verse Press on Thursday @ 3:00; and with other Ahsahta Press poets on Saturday night @ 8pm.
March 2014: Split This Rock: Poetry of Provocation & Witness, Washington, D.C. “Learning Race by Writing Race,” workshop co-leader with Martha Collins, follow-up to the roundtable of 2012.
March 2014: Al Mutanabbi Street Starts Here, Commemorative Reading, Busboys & Poets, Washington, D.C.
March 2013: Association of Writers and Writing Programs, Annual Conference, Boston. “Not Just Roots but Rhizomes,“ for panel “Research and Community Activism in Creative Writing.”
May 2012: World Fair Use Day, sponsored by Public Knowledge, The Pew Charitable Trusts Conference Center, Washington, DC. “Poetry and Fair Use.”
March 2012: Split This Rock: Poetry of Provocation & Witness, Washington, D.C. Roundtable Panelist, “White Poets Writing About Race: An Invitation to Conversation.”
May 2011: Ballad Singers’ Summit Workshop, Old Song Center, Voorheesville, NY. Invited folklorist.
Poetry reading, Counterpath, Denver, July 2011.
Introduction & selected poems from reading at GMU, 19 February 2007.
An excerpt from Trafficke, & a short essay about influences, in the online journal Evening Will Come.