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"When Eloise tells Kofi she wants a divorce, he sits naked on the kitchen floor skinning an ox tongue to prepare Eloise’s favorite dish." So begins Brian Gyamfi's poem, 'The Almost Love Poem of Eloise and Kofi'.

The barn could be neither more plain nor less imposing.        Little cared for, seeming underappreciated. Unpainted wood. Board-and-batten sides, roof of tin. Long and narrow, yet, in the whole length of it, only six windows, arranged in two blocks of three each, high up on one wall. Not much light gets in except through the holes and cracks in the walls.        There probably was not much light to come through those windows anyway in the middle of the night or even in the early morning that time in 1955 when 14-year-old Emmett Till was tortured and murdered in that barn near Drew, Mississippi. But it had to be tough for a lone Black youth facing a squad of White men, in the dark, those men seeming intent on life-ending torture. 

In another life, my grandmother would have been a hairstylist. My mother told me the story once as she grew up hearing it, and it felt like legend, embedded itself in my consciousness like a bit of grit in an oyster.      I guess I’ve always mythologized my mother and her mother. Their lives as women in Japan in the 50’s, 60’s, 70’s, 80’s, 90’s seemed to follow a Joseph Campbell-esque hero cycle with one or two major deviations, and over the years in the mantle of my brain their stories grew, nacre covered and shining.        My grandmother grew up on a tea farm in the mountains of Japan’s green tea capital, Shizuoka-ken. She was the second youngest of eight surviving siblings: six sisters, two brothers, and two “water children”, or stillbirths. The oldest brother would of course inherit the tea farm, and each of the sisters left the nest in turn to make their own way in the world. Women in those days didn’t want to be a “burden” on their families my mother says, and she uses the word again when she describes why she left home at eighteen. 

Fall for the Book will bring renowned writers Celeste Ng and Gary Larson to the George Mason University Fairfax Campus for this year's Fall for the Book festival.

Over the last decade, Ellen Weeren, BA ’90 and MFA ’19, has been run­ning the Facebook group A Reason to Write, serving a community of more than 750 writers at all stages of their careers with news, opportunities, and regular doses of motivation—and more recently, she’s taken that mission from the virtual world into the real one.

This year, we will feature a workshop with Disability Services about supporting neurodivergent students and sessions with librarian David Lemmons, Kristen Wright, Director of CECiL, and Tawnya Azar as we look ahead to the new curriculum guidelines.

Each year, the George Mason University Alumni Association celebrates the achievements of alumni at the annual Celebration of Distinction awards program. The Alumni Association recognizes alumni for their outstanding professional achievements and service to the university, and honors the achievements of alumni from each school, college, and affinity chapter.

Janalyn Miklas, PhD candidate in linguistics, recently won Best Student Poster Award in Speech Communication from the Acoustical Society of America.

George Mason University’s Creative Writing Program joins Watershed Lit and George Mason’s University Libraries in presenting the Fall 2025 Visiting Writers Series.